A faerie introduces himself. Then, holding out a hand, asks, “And your name, please?”
And, like a fool, you give it to him.
I got asked for clarification on this (but can’t reblog that particular post cuz on mobile), which I’m more than happy to provide.
In this post, a faerie is asking for ‘your’ name. The way he is wording it, however, and the accompanying beckoning motion, makes it seem as though he is asking for you to physically hand your name over. Which, because of how some faeries operate, he is.
In this instance, saying your name aloud to the fae would be literally giving your name over to him, the exact consequences of which are left up to the imagination–usually, a fae even knowing your name gives it some measure of power over you, but giving something your name would likely let it completely take over your life.
In this instance, the wording you want to use is something like “I will not give you my name, but I will tell you that it’s [name].” Alternately, you can just lie to him.
Might i suggest the less direct yet still name-preserving “you may call me…”? It dodges the request while still giving an answer of a name, which does not even have to be yours, but any name you feel like telling the fae they can use to refer to you. I would recommend “Ainsel”.
The first time he asks for your name is the first time you meet him. He appears as you walk by the færie ring, that you have not entered because your grandmother has repeated so many times not to do so, and, curious of your presence, watches as you jump when you notice him.
You recognize him instantly. It is the Fæ whose influence your village is under, the one the elders have told you and your friends to be wary about, for the people who have been seen walking away with him have never come back.
You don’t know what he does to them. The villagers have never dared to confront him about it, never dare to address to him at all. He is not evil: he sometimes speaks blessings upon the cattle, talks the horses to calm after a storm, ensures a good harvest for the farmers, makes the flower bloom in spring even when the weather is still too cold. He is, simply, a Fæ, whose ways humans cannot understand.
“Hello, little one,” he says as you stand very still, back straight, hands fidgeting with the fabric of your skirt.
You do not go away - you cannot. This, your grandmother has taught you, would be considered as an offense, and you could be cursed, or he could take out his wrath onto the village. You do not shy away from his stare, however, even not knowing if this will displease him or not. You are eight, have the courage and the recklessness of your childhood innocence, the boldness of those who have not yet learnt how to fear; but you have been warned against the Fæs, who like to toy with humans and play tricks upon them, so you do not defy him either.
He walks up to you. You pray he will stay in the færie ring, as it feels like a protection, and fortunately, he does. He isn’t too malicious to the youngest ones, you have been told once - just do not know if this is true or not. You knew a girl your age called Nimia, that has been caught a year ago, and she has never come back to the village, and her parents have cried all week cursing the Fæ.
You summon to your memory everything your grandmother has taught you to ward off Fæs, and protect yourself against their tricks. You do not want to be the next Nimia.
He introduces himself as Áed, although you suspect it is merely a nickname. Then, holding out a hand, he asks, “And your name, please?”
There is your grandmother’s warning at the back of your head: names give power over people. The Fæ is asking you to literally give him your name, and who knows what he’ll do with it - he might as well use it to take you away, like he surely did to Nimia. To all the people who have never been seen again. To your own mother, two years after you were born, even though she was too clever to be caught by a Fæ’s trick.
So you remain quiet, watching him with wide eyes, until his own stare darkens, and he shakes his hand under your nose.
“Your name, little one.”
You pull yourself together. He might curse you if you don’t answer. You gather your courage, and, with the spontaneity of children who have freedom in their veins and do not bend to rules, you stretch out your hand back without touching his.
“I am sorry, lord Fæ. I haven’t heard you very well. Can you give me your name, please?”
He looks at you with surprised amusement. “Oh, well played, little one. You’re clever. Just for this one, I will let you go.”
He retreats his hand, and you scramble back as quickly as you can, bowing to him clumsily before taking your leave.
You had passed by the færie ring to go the well to wishes, even though the elders forbid the youth its access, disobedient little child that you are. You just wanted to wish for your father to let you wear your mother’s necklace - ‘not yet’, he always says, ‘when you are thirteen’. You forget about going there, after this encounter. You go back home, and your grandmother scolds you for having been gone for so long.
You do not tell her about the Fæ. She has already lost her daughter to him. If she knew he had tried to lure you, you would not be able to leave the house again - and you value your freedom too much for that.
The second time he asks for your name, you are fifteen, and you have ran to the well to wishes again, forgetting the elders’ warnings. You have sworn to yourself you would not go back home anyway. You are not sure what you want to wish for, but at least for all this pain within you to fade; just to be more, or maybe less, like your mother, to accept the village’s rules better, to simply fit in and be happy that way.
Eyes full of tears, breath uneven, barefooted on the grass, your mother’s necklace beating against your chest as run, you have not made a detour to avoid passing by the færie ring. You trip and fall in front of it, and Áed finds you curled there, crying and cursing to the world.
“Those are not pretty words,” he says.
You freeze. You push yourself on your elbows, sees the færie ring, feels dread slip into your head. It is only the second time you see him, and you are not a child anymore. You have learnt to fear.
The Fæ, who has taken Nimia, then Lettie, on the day of her wedding, and even the old Mack, hovers over you curiously, at the edge of the færie ring. You remember to keep still, not to offend him. You feel the fear you should have felt when you were eight; and yet again, as tonight sadness and despair have already filled your heart, you do not manage to remain terrified.
“I don’t care,” you answer, sitting on your knees.
He finally sits down, too. He does not talk, so you do not feel compelled to talk either, and silence stretches between you for a while.
“Were you going to the well to wishes?” he asks eventually. You nod. “It does not work anymore. Whatever you wish for, it will not grant it.”
You feel your chest tightening.
“You might not say the truth.”
He smiles. “Indeed. I might not. But you can try yourself.”
It might have been his way to allow you to leave - but you do not find it in yourself to do so. You are tired. You have run as fast as you could from your home. Your grandmother must be worried about you, and she will probably never let you stray from the village again. Your father’s shouts still resonates in your ears, saying you are not a good daughter, that you will never be, asking why you feel such a need to always run free, just like your mother, then asking why you cannot be her.
You know you should listen to your elders, tame yourself, learn to properly take care of your household, and stop fleeing from your duties and your classes to explore the wild. You just cannot help it. You were already a disobedient child; but the teenager you are now cannot bear authority.
Freedom.
Is it too little to ask?
“Are you going to stay here?” Áed asks.
You shrug, unable to answer properly. You feel too pitiful to try to talk with a Fæ - a tricky exercise, as Fæs like to twist words as they like and get human souls from a clumsy sentence.
“You can,” Áed then says. “I will watch over you.”
“This sounds too nice, lord Fæ.” You haven’t been able to prevent the dryness of your tone. “It might be another trick.”
And yet, you lay on your back, somewhat desperate, arms crossed behind your head, not knowing where else to go or what else to do. The Fæ, after all, is not evil, you remind yourself. He also does good things, occasionally. You might just be lucky.
“Aren’t you afraid, little one? I know you do not trust me.”
“I am too tired for that.”
He laughs. “Will you not give me your name, then?”
“I cannot give you my name,” you reply. You know what it would lead to. Giving your name to a Fæ is giving him the power to take over your life. “But I will tell you that it’s…”
You hesitate. The Fæ knowing your name would also give him some power - that is what has lost Lettie, you’ve been told.
“Elaine.”
You close your eyes, and Áed simply laughs. He does not speak afterwards; yet you remain wary, and heavy thoughts are on your mind, so you do not find sleep easily. You end up turning towards him, and opening your eyes again, wondering if he has left, too bored to stay watching over a sleeping human.
But he’s still there.
“Little liar,” he says, not smiling but not sounding angry either. “This is your mother’s name.”
You are somehow not surprised he has noticed. Your grandmother said your mother used to go the well to wishes often - she might have met him too, talked with him, before he took her away. Just like you, your mother didn’t fear the way to the well to wishes and the færie ring. The same recklessness, the same need for freedom runs into your veins. That might be why your family is so afraid to lose you.
“You remember her?”
“I do. I remember Nimia, also. That foolish girl, Lettie. The old Mack, who tried to cut the færie ring. And all the others.”
“Why do you take them away?”
He looks at you. “Humans are fascinating. You poor little things, so weak and powerless, your lives are so short, and you do not know half the wonders that exist. And yet. You manage to find happiness.”
You feel yourself drifting off to sleep, listening to the soothing velvet of his voice. Exhaustion has caught up to you. Your eyes are already closing off.
“It is no reason to take it away from us,” you murmur, tiredly.
He keeps on staring at you, but does not answer. After a while, you simply close your eyes again, and this time, sleep finds you after a few minutes.
When you wake up, Áed is gone. You go back home, and your grandmother cries when you arrive. She forbids you to leave ever again. Your father apologizes for his harsh words, and you apologize for your rebellious attitude.
“Where were you?” your grandmother asks, once the calm has returned to the household.
“I slept by the færie ring,” you say. “But the Fæ wasn’t there.”
You can hear it in your head, ‘little liar’ said with his voice, and it somehow makes you want to smile.
“You shouldn’t,” your grandmother admonishes. “Your mother used to do that too, and look where that led her. You were lucky.”
“Yes,” you reply, and this time you think it, too.
The third time he asks for your name, four years have passed ever since you have slept by the færie ring, and your grandmother has still not allowed you out of the village. She does not like the longing looks you throw to the forest and the valleys beyond either, says you are now of age to be married, and should do so before she picks you a husband herself. This annoys you. She has, however, loosened her strict watch, and you can come and go out of the house mostly as you please.
For a few months, now, Kevan has been courting you, and you enjoy having the freedom to spend time with him. He is the blacksmith’s son, has had several lovers before you; but he assures you he can only look at you now, that you are the special one, and he swears if you marry him, he will make you the happiest woman of all Qelt.
You always laugh at that. He is cute and charming, but freedom is still your keyword, and you do not see yourself speaking vows to anyone yet. He shrugs, whenever this is your answer, then takes you in his arms, and makes you laugh some more.
But tonight, he doesn’t shrug. He has drunk, you know, maybe too much, and you look at him in slight fear when he grabs your arm too tightly after you have refused him once again.
“Why?” he groans. “I’m nice to you.”
“I know, Kevan,” you reply, trying to keep your calm. He is simply drunk. You have talked to more drunk boys than one, nothing has ever happened to you. “Now let go of me, please. I told you, I simply do not want to marry yet–”
“You do more than that. You refuse yourself to me. I’m courting you, but it never goes further than an embrace.”
“I do not owe you more than an embrace. If this bores you, you’re free to woo another woman.”
He pulls you to him, and his grip hurts, this time. “I do not want another woman!”
“Kevan, you’re drunk!”
You put a firm hand on his chest to keep some distance between you, keeps your head away from his. You know what he wants, but you do not want it.
“Why don’t you love me?” he asks, accusatory.
Part of you feels guilty. Part of you feels angry.
“I don’t owe you feelings.”
“You’ve seduced me. You’ve let me court you.”
You thought you loved him. You simply wanted to take it slow, to grow a friendship with this charming boy, before doing anything. You enjoyed his attention. You enjoyed playing this little game of cat and mouse with him, thinking it would end well for the both of you once you would have decided your freedom could also be with him.
But not anymore.
Your freedom cannot be with a man who will not wait for you, yet will not move on to someone befitting him better.
“I just wanted time, Kevan,” you try, despite knowing the idea of a future with him is over. “Can you understand that?”
“No!” he roars. “I’ve waited enough. You’re mine, you hear me?!”
“You’re drunk, you don’t know what you’re saying, you-”
“YOU’RE MINE!”
He pulls you closer, and you break free. He screams your name, but you’re already running out of the inn, under the confused eyes of the other villagers who have always seen you two getting along so well, and do not understand what has happened.
Kevan screams your name again, chasing after you.
Fear takes over.
What is he going to do? He is drunk, simply, he surely himself does not understand his own acts. But what if he catches you? Will he just shout? Will he cry? Will he stop himself, being the charming boy he has always been?
Unless this charm of his was nothing but a way to get into your bed, and this friendship you wanted, he has never had any use of it?
And if he catches you, he will get his way with you, whether you want it or not?
No, he wouldn’t do that. He isn’t like that. He might not go that far.
But you can feel his need for bruising kisses, for his hands on your skin, at least, and you can see yourself crying as he holds you tight and calls you his, because it is not how it was supposed to be - and this, you do not want at all.
He calls you names. Yells insults. You run, never turning back, never slowing down. You cannot lead him to your home, you think. Your grandmother and your father are sleeping and you should not even be out, and he would get you before the door.
So, you keep on running.
Your legs carry you to the only place where you’ve found safety outside the village, and when you hear Kevan’s voice louder, his steps closer, you scream before diving into the færie ring.
“ÁED!”
He receives you in his arms. You fold against his chest, trembling and still unable to believe the man you thought could become your husband has gone as far as chasing you outside the village, to the færie ring all villagers avoid.
You do not even want to know how Kevan has reacted. You breathe in and out, slowly, letting Áed hold you and stroke your hair.
“Easy, little one,” he whispers to your ear. “Easy.”
“What are you doing?!” Kevan’s shout. He sounds afraid. “Get back here! It’s–”
“Hush, human.” You have never heard Áed speaking so coldly. Kevan falls silent - drunk or not, every villager knows to respect the Fæs. “This one is under my protection.”
There are no words exchanged for what seems to be a long, long time. You can hear Kevan’s ragged respiration behind you, just one meter away. The færie ring feels like a protection once again; yet you’re inside, this time, and that’s where you feel safe.
“Leave.” There is the hint of a threat in Áed’s voice. “Now.”
Kevan’s steps finally hurry away after a few seconds of hesitation, and you break. You cry. You cling on Áed’s tunic, and you shed your tears, resting your forehead on the crook of his neck.
“It’s okay, little one. He’s gone. You’re safe.”
You somewhat forget he has taken your mother, Nimia, Lettie, the old Mack, and all those other missing villagers from before you were born, during the centuries he has lived. You somehow forget of what you risk, being in a færie ring, in a Fæ’s embrace.
And Áed does not lie to you. You’re safe. He lets you cry in his arms, without asking anything of you, without taking you to Fæqelt, the holy land where his kind resides, without any tricks or malice.
“I do not want to go home,” you murmur.
“It is okay, little one. You can stay here. The færie ring is safe for you.”
You pull away to look at him. “Are you not going to trick me?”
“I won’t.” He is grinning. You believe him, even though you should not.
“Not even ask me for my name?” you try to joke, pathetically.
He raises a brow. “Would you give me your name?”
“No,” and this time you’re smiling, even just a little. “But you may call me Ainsel.”
He laughs and ruffles your hair, and keeps on calling you ‘little one’ - he’s a Fæ too old to be tricked back that way. You end up laying down side by side in the færie ring, and he talks with you until you fall asleep.
When morning comes, you’re in your bed. When you finally stop avoiding him, a few days later, Kevan apologizes to you, then never talks to you again.
You prefer it that way.
The fourth time he asks for your name is very soon after. You come to the færie ring at night, darkness being the only way to escape your grandmother’s watch to leave the village, though you do not enter it.
Last time seemed like an emergency situation. You are not sure you can be so lucky not to be tricked by the Fæ again.
You are not so sure why you have come here either. Maybe it is the fact that you have started appreciating Áed, despite all his evil deeds - that he yet does not see as evil, simply as a Fæ’s doings. Maybe it is because you are starting to understand that your parents’ wedding and your birth was, for your mother, more of a curse than a blessing; and that the same fate of having to bend yourself to what everyone is expecting you to do might be awaiting you as well.
But maybe, it is just the freedom of being able to run under the moon wherever you want, and feel the wind into your hair, away from a village you love but which has started to grow too small for you.
“Little one!” he calls when he appears. He seems surprised, but pleased. “I did not expect to see you so soon. Are you going to the well to wishes?”
You shrug. “No, I wanted to see you. Please do not ask me why.”
“Why?” he maliciously asks.
You shake your head, raise your eyes to the sky. That makes him laugh. He is infuriating, in a way; yet you cannot help but smile.
“How are things, with the ruffian?”
“He has apologized, but has stopped talking to me. He thought me going into the færie ring was a dream, though. I’m glad of it. Had he talked about it, it would have caused me troubles.” You grimace. “My grandmother would have locked me in the house, and married me off immediately.”
“And I could not see you again?” he exclaims. “Horrible. Why would she do such a thing?”
You look at him quietly, and his expression shifts to a less mischievous one.
“She has already lost her daughter to you,” you say, voice soft. “She does not want to lose her granddaughter.”
He opens his mouth to talk, closes it. You are convinced that years ago, he would not have reacted the same way. Would not have taken it so seriously.
“Do you miss her?” he asks.
“I was two, when you led her away. I did not know her well. But my grandmother and my father miss her, and I have always been able to feel there was something lacking in our home.”
He nods. You nod back. There is something strange, in the atmosphere, though you cannot say what. You are not sure he regrets what he has done - how could he? He remains a Fæ, after all -, but you know he has no intention to talk about it with any kind of pride anymore.
“Come here, little one,” he finally says. “And I promise, nothing will happen to you. I will not bring you any more harm.”
You step into the færie ring, standing proud in front of him. Your heart is strangely beating hard in your chest, and he smiles at you, eyes gleaming with a light which is not mischief, but something much softer.
“Will you give me your name, little one?”
It is not a bargain. He already knows your answer.
“You will let me refuse, won’t you?”
He winks. “I will.”
“Then, I can’t give you my name,” you decide, amused. “You are still welcome to call me Ainsel, however.”
“Oh, ‘little one’ suits you better.”
You laugh, and you two sit in the færie ring to talk again, and you tell him things you cannot tell anyone else - you tell him about your dreams of freedom, your wish to explore the world, even Fæqelt, the fact that the village has started to be a prison for you, instead of a home, that your family is your anchor but not your guide, about your need to leave.
He listens. He gives you some answers. Tells you about Fæqelt, about how færie rings can be used to travel within all Qelt and beyond, about himself, also.
And you start thinking it wouldn’t be so bad, traveling with him.
You start coming back to the færie ring more and more often. You are curious about him. A strange bond has started developing between you two, and the more you know about him, the more you notice the constellation of golden freckles on his cheeks, the way his eyes glint with a reflect of starlight, how his laugh sounds when he’s particularly happy, the softness of his smiles which are not tainted with mischief.
Soon, you find yourself craving for those interactions.
There is no one else in the village able to understand you, to support your desire to wander around the world. No one else to talk about travels and adventures with. Even your childhood friends, who have shared all your ups and downs, cannot get why you do not want to become a fine housewife, and live the rest of your life surrounded by what you have always known.
You know, now, why your mother has walked with her hand in Áed’s, while she was too clever to be taken away.
It was the craving for freedom.
She should have known better than abandoning her family; but you can understand how trapped she must have felt in this little village, especially if a marriage and a baby was not what she had wanted. She must have looked longingly to the forests and valleys beyond the village, as you now do, and must have thought it would be better to be led astray by a Fæ than to remain chained down and become a shadow of herself, needing freedom as one needs oxygen.
You understand.
You would have done the same, had you married Kevan as you planned to, all those months ago.
But one night, you stay too late, and your grandmother is waiting for you when you come home at dawn. She notices the grass on your dress, asks for explanations, does not believe any of your lies.
So you tell her the truth, for she has always been one of your pillars, but she screams the moment she hears you have bonded with the Fæ - and her screams wake your father who cries and despairs when learning what you have done.
For the first time in years, he says again you will never be a good daughter. He cries that you are too much like your mother, with the same craving for freedom, the same desire to leave the village, that if he does not keep an eye on you, you will run away to Fæqelt and never come back. He accuses you not to love him, for your mother surely did not love him and the idea of a family with him - or not enough to stay.
Your grandmother locks you into the house, does not allow you out again except under her watch. She promises to marry you soon, as she did for her daughter when she understood her daughter would one day leave her if she did not. The world is too wild for humans, she tell you. Binding you here is the only way to protect you.
This is for your own good, they say, but it does not do you any good.
The village learns about it. Kevan understands what he had seen that night was not a dream, reveals you have stepped into the færie ring, into the Fæ’s arms. And then the villagers, those people who have raised you, seen you grow, watched you live, whisper that you are lost, and that you are a Witch. They say you will bring bad luck to the village, that you are a channel through which curses and tricks from Fæqelt will pass; but they cannot get rid of you and risk the wrath of Áed.
You are not even sure they know what a Witch is. You do not, not really. Witches are wanderers who have strange powers, people say, obtained through a pact with a Fæ. It is like making vows with mischief itself: Witches might be human, but like Fæs, they cannot be trusted.
You cannot go anywhere without hearing the whispers, or feeling the heavy stares in your back. One day, at the market, you receive a stone from Lettie’s former husband, who did not know better. Your grandmother, ashamed, as she cannot even marry you off to a villager anymore, does not defend you.
After that, you stop leaving the house at all.
And you understand your mother’s decision even better.
The fifth time he asks for your name, it’s Early Summer Night, the beginning of the warmer days, celebrated by the entire village around a banquet. Your grandmother and your father have left the house. They are convinced you will not. No one would want to see you at the banquet, after all.
But your need for freedom is still there.
You escape your home which has become your prison, and you only feel like living again once the wind is in your hair, the grass under your feet, and you can breathe in fresh oxygen. You run. Your legs welcome the dearly missed sensation blissfully, take you to the færie ring.
You do not know where else to go.
“Áed,” you whisper when you step into the færie ring, and he’s there, and you’re in his arms, and he’s holding you so tight you realize he must have missed you like you have missed him.
“Do you know how scared I was, little one?” he asks in a strangled voice. “I thought– I thought you would never come again.”
You break in tears. Everything is too much, feels too much, has been too much ever since your grandmother has discovered you had approached the færie ring. You feel like shattering - and in a way, you do, pressed against his chest, pouring your heart out and wishing this night would not end.
“I thought they had killed you,” Áed murmurs, caressing your hair.
“They wouldn’t,” you sob. “They scorn me, now, but they’re not murderers. And I have done nothing evil.”
“What’s inside you, what you are capable of, it scares them. And scared people lose their minds far too easily.”
You shake your head like a child. “They would not harm me.”
“Not physically. But they could have harmed you in other ways. Your beautiful mind, for example. They could have killed this spark in you.” He pauses. “Forced you to give up on your freedom.”
You think of all those days spent the same way, cleaning, cooking, sewing, all nice tasks as long as they’re not the only ones in your life, looking by the window and desperately wishing to feel the warmth of the sun on your skin again, to walk around without fearing to be called names or to receive stones.
You think of how, had you not known him so well, you would have already escaped and given him your name, for getting lost forever in Fæqelt will always be better than the life you now have.
“They almost did.”
You realize, belatedly, how terrified you sound. Áed takes your face between his hands, looking so worried you think he might cry too.
“Little one, you do not have to remain here. You can leave. That is what you have always wanted.”
“But,” you weep, “they are my family.”
“Family should push you forward, and not hold you back. They might warn you, but they should not bind you. Leave, little one. Take your freedom. They do not own you. Come back to this village a fine traveler and a proper Witch, and show them they were wrong to outcast you.”
You manage to smile weakly. “You make it sound so easy.”
“Because it can be. Witches are travelers who venture into Fæqelt and explore it, little one. That, you can be easily. You have the wit and the courage for it.”
You take a breathe, in and out, the despair in your stomach slowly turning into a glint of hope.
“Aren’t humans supposed to lose themselves in Fæqelt?”
“Not with the blessing of a Fæ,” Áed replies softly, and your heartbeat fastens.
The future, all of a sudden, seems open with a thousand possibilities. You see the roads, the travels through færie rings, the foreign people in the inns, the new towns, the vast, vast world you have always dreamt of seeing, the holy land of the Fæ, mysterious and enthralling, only ever told in myths - and Áed by your side, being his usual self, smiling at you so brightly.
“Yes,” you say to this future, to this everything. “I would want that.”
There is relief on Áed’s face, relief and fondness - as if he had wanted you to say that, for your sake and because that was something he wished for, but was not sure you would bring yourself to do so.
“I will come for you during Midsummer Night, when Fæs can leave the færie rings, and blend in with humans. Be strong until then, little one. Do not let them bind you.”
“Thank you, Áed. Thank you.”
“Just give me your name in exchange,” he jokes to cheer you up.
It makes your chest so warm the tears pour out again. Áed smiles, kisses your humid cheeks gently.
“Next time”, you promise, crying. “Next time.”
You still want to give your village a chance.
Or at least a goodbye.
The last time he asks for your name, you are ready to leave. You are but the shadow of yourself, now. The days until Midsummer Night have been endless. Your grandmother has suspected you had gone out during Early Summer Night, but has not been able to prove it - she now barely talks to you at all. Your father has managed to marry you to a farmer in the next village, who hasn’t heard of you.
You have long wondered why their worry has turned into anger and resentment, why they have caged you, when they simply wanted to protect you. No matter your apologies, your explanations, they won’t listen to you at all.
Now, you suppose it is easier to hate than to forgive, especially when there is finally someone to blame for your mother’s disappearance - for all those disappearances. But they have not realized what they are doing is what drew your mother away from them, what is also drawing you away.
They cannot understand. And what they cannot understand, they fear; and what they fear, they try to keep it locked somewhere until it dies.
“Gather your belongings,” your father tells you when the night is falling. “Tonight, you will meet your future husband. We will celebrate the wedding when the dances end.”
They are taking you to celebrate Midsummer Night in the next village, and are getting rid of you the same day, so that no villager will have to bear your presence ever again. You tell them all goodbye in your head, sat in your father’s cart, the bag containing your few belongings on your lap as you watch the little houses and the streets where you have grown up fade away into the night.
Your future husband is introduced to you as soon as you arrive. He is nice, and his family welcomes you warmly; but you can see they are just like the people of your own village, thinking everyone should be content doing what they’re expected to do, and they would frighten of your need for freedom. You already suffocate when they say everything is ready for the wedding, insist on celebrating Midsummer Night first - and fortunately, they all agree.
You embrace your father and your grandmother before joining in the dances. They do not quite understand when you already bid them farewell.
You share a few dances with your future husband, a charming man who would never be able to understand you, and would fear you if he really knew you. He feels guilty leaving you to go dance with his sister, but you laugh and encourage him to do so.
You do not tell him you will dance again anyway.
That would be a lie.
You watch as he nods and hurries to his family, then change partners yourself, taking the hand of the first man who approaches you–
“Hello, little one.”
–and you nearly cry when your eyes meet his. He is so beautiful, in the light of the high flames lit in the middle of the village, you almost think he is a dream - but he is not, oh, he is not, and you have never been so happy.
“You are of exquisite, tonight,” Áed says.
You are wearing the wedding dress you have sewn yourself, all those days spent in your house, and your mother’s necklace resting on your chest, that necklace you longed for so much when you were just a child, which is the only thing from her your father has allowed you to keep.
“Thank you,” you tell Áed, for calling you exquisite, and for everything else.
He laughs and makes you twirl, and for the first time in what feels like centuries now, you laugh too. He does not let go of you. You do not want him to.
“Will you give me your name, little one?” he asks; but this time, you know what he will do with your name, with your life.
He will set you free.
So you stand on tiptoes, and you give him your name, finally, and he wraps his arms around your waist to whisper his own, real name into your ear - then, when the dance comes to an end, you run hand in hand to your father’s cart to pick up your bag, laughing like children, before disappearing into the night.
No one sees you leave.
It means you might come back one day.
This is the most beautiful thing i have ever read and i hope everyone it comes across reads it and feels the same intensity that i felt beacause it is truly a work of art
Protip for men: if marriage is a horrifying concept for you and you think it is an evil trap, do not buy a ring and ask a woman to marry you
I’m way over seeing radical feminist bullshit on my dash. This isn’t even social justice or a real issue.
sorry that not marrying someone you dont loathe is radical feminism i guess?
women: don’t propose or get married if u don’t like the thought of marriage
men: what kind of sjw fuckery
the other bit that this implies is:
If you like your wife, act like it. Even around your friends. Be open and honest about liking your wife, liking spending time with her, and not being resentful of the shared work of building a household. Let your buddies know you can’t hang out with them because you’d rather be home with your wife, whom you like, because she is your legit bff, even though you know your buddies are gonna mock you for it.
Stand up to your buddies. Tell them mocking isn’t cool and you don’t want them to do it anymore. Challenge the other men in your life to be better men.
That is what “don’t get married if you think marriage is an evil trap” implies to men who are married. And while it’s all completely reasonable I imagine that it’s scary as fuck when it’s just so much easier to har de har har the little woman’s such a nag, ain’t she, don’t we all hate being married so much? with other men.
In that context, “don’t get married if you think marriage is an evil trap” is kindof a radical statement.
The number of guys I work with who are engaged who started pulling the “uh oh, life over soon, har har” shit that I have completely shut down with a simple “well if you don’t want to get married, then don’t”…*sigh* And they’re just like, hem, haw, welllll if I don’t then she might not stay with meee, which I respond to with “well, sounds like you need to have a pretty serious and honest conversation with your fiancee about your feelings then” and then the *panic!* look…When you remove that easy “hah hah ball-and-chain” narrative, watch the reaction. Some of them (to a female friend) will mumblingly admit that they love their fiancee and are excited to be married. Others…all you get is fear.
That’s the disservice we do men by refusing to teach boys how to explore their emotional needs. It hurts everyone. I watched three male friends walk into marriages I can tell they weren’t ready for and didn’t want, just because it was expected and they had no tools for emotional self-examination. Two of those marriages are (shockingly) in crisis, a couple years later. One has kids involved now. It’s more than a little heartbreaking. The marriages I see that are working? Are the guys with the emotional maturity to talk to their wives and who don’t care if everyone knows they’re in love with them.
SERIOUSLY.
My friend is getting married this summer and when I congratulated her fiance on their engagement he said to me “Yeah well you know, women. This is what they want so you have to bite the bullet.” and my other friend’s husband who was sitting next to him laughed and agreed. If this is how you feel, don’t get married. Don’t propose. Just…. Don’t. Do it. Any of it.
Straight people think that doing things you really don’t want to do - like marriage and having kids - is normal cos they’re still stuck in a fucking 19th century mindset.
It’s why I know my best friend got a good one, he’s open about how much he loves her and he’s excited to be getting married and regularly contributes ideas and has his own input, it’s nice to see
It filters through as well. Even being gay, a lot of my straight friends don’t understand why I spend so much time with my husband. Because I love him? Because I enjoy his company? Because he’s my best friend? I can’t count the amount of straight people that have told me that they think it’s “weird” that my husband and I spend so much quality time together. The only person who understood was my mom, whose response was: “If you love someone and genuinely enjoy their company, why WOULDN’T you want to spend your free time with them?!”
How can anyone look at their impending marriage and think ‘oh no, it’s all over now’ like???? I’ve only felt so close to so many people in my life, but those small few were like?? I’d wake up in the morning excited to be awake just to look forward to SEEING them. I’d catch myself with this stupid idiot grin in broad daylight just THINKING ABOUT BEING AROUND THEM. I’d sleep easy with them in my head, shitty days became perfect once I spoke to them. THAT’s how I imagine feeling again someday. I think about feeling that way for someone again and it’s like the whole future opens up. Marriage is finding your best friend in the whole wide world and wanting to have a sleepover every single day, and to agree to it and then go around groaning like your freedom is being stolen is a HUGE disrespect. If you have the freedom to share your life with anyone you like and you throw it around like baggage you really can’t expect it to grow, can you? You gotta care about yourself a little more than that I think
All of this.
Not to mention this mentality makes it’s way TO THE DAY OF THE WEDDING. How many weddings have we seen with something like this:
Like what kind of toxic mentality do you have to have to say this as the bride is about to walk down the aisle and marry someone who it’s now suggested doesn’t even want to be there?? How is this cute? How is this supposedly charming? This is supposed to be the person you love and want to be with! And not to mention that you send this down the aisle with a small child (the ring bearer or the flower girls)…I have a special loathing for things like this.
Holy shit I didn’t know that was even a thing.
This reminds me of a study I read about years ago with statistics on happiness/stability in relationships of people of various genders/orientations, and straight people were at the very bottom. (And lesbians were at the top! Not a huge surprise, given that women are generally more inclined to communicate and work out emotions and issues.)
Reblogging for the “last chance to run” comment. Honestly it’s so fucking gross.
I can’t even imagine being married to any of these douchebags that think this way. My husband is my best friend and I can’t wait to come home from work to be with him. Every damn day.
According to my husband (married since January of 2007) he was ready to ask me to marry him within six months of us being together, but held off because he knew I was still wrapping my head around the concept of honestly being with a guy because I wanted to be and not just because it was expected of a “girl”. I knew being with him was the right choice when we spent a month wandering Europe together and were perfectly happy doing nothing right next to each other. (Getting asked how long we’d been married in every city of every country we stopped in might have been a sign of our compatibility, too.)
When we announced to our friends and age peers, many of them looked at us like we were nuts. “Don’t you think you’re a little too young to be getting married?” they asked. “No,” we replied. “We want this.” Upon actually getting married, my husband spent the next several months (closer to two years) squeeing, “I get to keep her!” To this day, we’re still just as happy to spend as much time together as possible, which is pretty impressive for a couple of introverts. We have whole conversations without saying a word, we can predict what the other will say, we know the other will understand completely when we do something that we probably shouldn’t like stay up late because of one more chapter…. We’re in each other’s heads like Jaeger pilots, and we wouldn’t have it any other way.
And yet it’s dismaying to us how many marriages we see where that’s not the case. Husbands who happily, even eagerly spend months to years overseas as contractors when they don’t have to because they’re civilians, who have wives and kids back home and talk disparagingly about going back to them. Wives for whom the long separations are viewed with mingled relief and dismay– dismay that their husbands are gone again, but relief that they don’t have to “put up the facade”. Like being happy to be with their spouses is something they will adamantly insist that they are, but then don’t seem to know what to do with the idea of actually being together.
Marriage is not the “natural progression” of a relationship. Some people can spend years together without ever wanting to get married. Some people meet and can’t get married fast enough. Some people don’t have a choice about getting married for one reason or another. And then there are the ones who have the choice and don’t really want to get married, but do it anyway because the society they live in pushes the idea on them. Women, too, have this concept of marriage and children pushed on them constantly. “When are you getting married? You’ve been together this long and he hasn’t asked you? Don’t you want to have your wedding?! You can’t live together without being married, it’s not decent! You don’t want to be an old maid, do you?”
Maybe she doesn’t. Maybe she does. Maybe he does. Maybe he doesn’t. Maybe they don’t. Maybe they do. But for the love of all Creation, regardless if you’re a man or a woman or any variation thereupon, regardless of whether your prospective spouse is whatever gender, if you have a choice then talk it over, and if you don’t really want to get married? Don’t.
so if there’s one single trope i’m always down to fight it’s the animal bride (folklore motif 402??) which a lot of you are probably familiar with as the selkie - the fisherman either falls in love, steals her skin to trap her on land/gain power over her, or they fall in love and THEN he steals her skin to keep her from leaving, and either way she spends a lot of time gazing sadly out to sea and then she or her child finds the skin and never returns again. and that’s awful on a whole lot of levels - it’s not love, it’s control.
BUT. but the thing is. you how selkies/seal women was a pretty common variation of this? another really popular one was swans.
i just want you to think about that for a moment. swans. like…I get it, they’re pretty, graceful birds, certainly it’s easy to imagine them magically becoming pretty graceful ladies? but have you ever fought a swan. swans are awful. swans are the devil’s geese. imagine seeing a pretty magic lady and being absolutely enchanted by her, and stealing her magic feather cloak, and then you go up and say ‘hey i’m in love with you, let me make you my queen, it will be great, we’ll be so happy’ and she just looks at you for a moment and…
you know i was going to say maybe she just shouts for her sisters and suddenly you’rerealizing you’ve made a terrible terrible mistake bc you’re surrounded by big fucking birds who are all hissing. but honestly if this swan lady is as aggressively down to brawl as any other generally unhappy swan, then she’d straight up fuck you up on her own. she’d just deck you roundhouse, honestly. you don’t fuck with swans. why does this trope exist
okay but consider this: a woman walks to the park every day and feeds the swans and watches them paddle gracefully around the lake, sighing to see how beautifully they swim.
finally one day, a swan comes up to her and says ‘why don’t you come and swim with us? you always sigh so wistfully to see us on the water, and you would be most welcome to join our company, for you have always been a true friend to our kind’
and the woman says, ‘i can’t swim’
and the swan says, ‘we’ll teach you’
and the woman says, ‘literally i can’t swim, my husband stole my sealskin and should i venture into deep water i would surely drown’
and the swan says ‘your husband fucking WHAT’
the next morning the woman’s front yard looks like this.
and neither the woman nor her husband are ever heard from again, though for very different reasons.
It may also interest someone to know that swans can projectile poop.
I know a real-world mama swan who got shot in the wing and walked four miles overland to get back to her babies and dad swan, with her broken wing bleeding and dragging the whole way. She just kept going. Don’t mess with lady swans.
Also? Swans don’t have a lot of obvious physical markings that divide the males from females. So some idiot might be like, “damn, that’s a sexy bird, I wanna marry her” and then like. It’s a dude swan. You just transformed thirty pounds of angry aggressive bird into 200+ pounds of angry aggressive adult man, who will totally kick your butt. (Also I’m pretty sure that if you turned a lady swan into a human, you would not get a willowy little 5′0″ girl. You’d probably have a 6-foot amazon with biceps the size of your head. Swans are heavy birds and it takes a LOT of muscle to get them into the air. They are among the baddest bitches in the bird kingdom)
And when a swan decides to beat you up, it is not with fancy martial arts. Swans are brawlers. They have bone clubs built into their wing joints specifically for beating people up. A human swan is gonna come at you screaming and spitting and just keep punching you in the face until you regret every decision you have made ever in your life and also some of the ones your parents made too.
people are saying these look protective. each creature represents a self-destructive coping mechanism: ruminating obsession, isolation, the false idea of control, and martyr complex. they feel comforting, but are harmful
admittedly I don’t normally like modern shakespeare adaptations but once I went to see my cousin in a midsummer night’s dream and it opened with a high schooler saying “I don’t wanna read this play” so he sits down and eats an entire chipotle burrito on stage and then immediately falls asleep and the play begins but instead of the forest the faeries all hang out in a rainforest cafe TM and at one point in the middle of a scene the guy from the beginning just slowly drifts across the back of the stage on a skateboard, staring at all the characters as the events of the play transpire in the form of some sort of chipotle-induced coma lucid dream
THAT is EXACTLY what Shakespeare would have wanted
I swear if this isn’t floating around on the internet I’m gonna cry
Oh buddy IT’S ABOUT TO BE. I am like, 98% sure this was my high school’s production and I’ve got photos and video clips like craaaazy…
Here are some fun additions… the Mechanicals were also based on the characters of The Breakfast Club (here I am below, eating an actual Captain Crunch and Pixie Stix sandwich on stage.)
…and the one on the longboard was actually our Puck - he rode it through the whole play in the background. Please note his “Forest Cafe” shirt… which we also had logos for on the cups.
…and we had both a flash mob at the end AND an interlude where myself and one of the other Fairies danced to “Sexy and I Know It” while we were cleaning up the tables at the cafe.
I will post more of this later. I have a DVD at my house and will endure cringing at myself to bring you some quality clips… there’s probably one of K eating the burrito before the start of the play, too.
Here ya go kids… all 2h20m. if you make it through the whole thing once, that’s probably more times than any of the cast watched this DVD. You can probably see why. Tbh if you watch this, I am sorry in advance.
Important notes:
- Chipotle burrito makes a cameo about 30 min in,
- the end has a flash mob and a “commercial” for the Forest Cafe,
- unfortunately, the lunch scene where all the mechanicals whistle like the Breakfast Club got mostly cut for some reason?
–
@vampireapologist in case you have any interest in reliving this… at the very least you can prove to any doubters that there was, in fact, a Chipotle burrito onstage.
I cannot even fully conceptualize, much less put into words, how wild this chain of events has been.
I have dozens of posts going around that have broken 50,000 notes, and plenty that have broken 100,000.
On every single one of these posts, there are hundreds, if not thousands, of comments and tags calling me a liar and the story fake, but none so much as this post.
As most of you know, PETA (People for Ethical Treatment of Animals) produces lots of sexist, racist, fatphobic, and even ableist ads. Their ideologies match, unfortunately. They are incredibly unreasonable, too, and they effectively want to remove companion animals from human contact entirely.
Members of PETA have done the following to me.
Attempted to take my service dog’s leash
Threatened to take him away
Sent me death threats
Threatened to euthanize him out of “mercy”
Claimed that I am a “slavedriver” and “active participant in the speciesist h*l*caust” (Ah yes, please tell the romani-german-native girl that she’s basically a Nazi. Good idea.)
Left threatening voicemails on my phone.
Scared me so badly that I had to move house at one point
Grabbed my service dog
Tried to pry my hand off of my service dog’s harness
Threw paint on a faux fur-lined coat I was wearing (the paint got matted in my hair to the point where I had to shave my head)
Speaks openly on their hatred for service dog handlers.
Adding:
Their “Adoption” services are a complete lie. Do not bring an animal to a PETA facility or allow PETA volunteers or employees to take an animal. THEY WILL KILL IT.
Their own documentation shows that they euthanize approximately 90 - 97% of all animals they take in, on a yearly basis. This includes everything from seriously injured/ill animals, to healthy puppies and kittens.
They support Breed Specific Legislation, and call for the mass extermination of all “Pit Bull-type dogs”.
if there is anyone out there who doesn’t know this - this is really important. PETA kills and terrorizes animals. They do so for their own propaganda and in turn, profit. There is nothing ethical about their treatment of animals let alone other human beings.
Their position is, supposedly, that animals are equal to humans and as such use really ableist, racist, and wildly inappropriate metaphors that undermine real human oppression and suffering. Often just for shock value. If they applied their principle, then they are basically saying that mentally ill or struggling and homeless humans should be put to death on mass.
In addition to all of the above, they also promote the idea that dairy products cause autism.
Plus, they harassed Steve Irwin’s family while they were grieving his death.
They’re pretty terrible.
The Humane Society of the United States and the SPCA are where it’s at, if you want broad, effective, and ethical animal rights organizations on a national scale, though you can be really effective seeking out your local no-kill shelter or wildlife refuge.
Also remember, LUSH is still supporting these groups via their donations, so weigh that against buying their products. But HSUS is just PETA in a suit, and still has the same goals.
They’ve also been caught stealing and killing people’s pets, not “strays” literally hopping fences, grabbing dogs, tossing them in a van, and then euthanising them.
Totally nothing to do with this blog, but fuck PETA
